This sitcom web series pilot features five quirky diverse millennials who work remotely for an international tech corporation. They struggle with online meetings, living on the road, and working from “wherever.” Each lone wolf must cooperate with the others, or everyone will be fired. Meanwhile, none of these independent co-dependents has a personal life that is even remotely working. (Single-camera TV-14)
Get to know the writer:
1. What is your TV Pilot screenplay about?
This is the pilot episode of the Remotely Working web series that satirizes our online world.
In the Pilot: Phil thinks the team’s conference call is audio only…. but it isn’t!
In the Series: Five quirky diverse millennials work remotely for an international tech corporation. They struggle with online meetings, living on the road, and working from “wherever.” Each lone wolf must cooperate with the others, or everyone will be fired. Meanwhile, none of these independent co-dependents has a personal life that is even remotely working.
2. Why should this screenplay be made into a TV show?
43% of global workers try, at least once, to work remotely. We hope there is an audience who will laugh at the inherent tensions in being a “professional” while fumbling with your laptop or phone in a bedroom, car, coffee-house, hotel bar, or many other inconvenient places. Plus, everyone knows, but won’t admit, that a virtual relationship lacks something essential. Can you truly love someone you can’t smell?
3. How would you describe this script in two words?
4. What TV show do you keep watching over and over again?
Silicon Valley, Brockmire, Entourage, Veep, Twilight Zone.
5. How long have you been working on this screenplay?
My creative partners (Scott Crosby and Dan Douglass) and I have worked on this particular script for seven months.
Thank you for the honor of a performance reading of our script.
6. How many stories have you written?
I’ve written the first season of Remotely Working (eight episodes) and six feature screenplays.
7. What is your favorite song? (Or, what song have you listened to the most times in your life?)
8. What obstacles did you face to finish this screenplay?
It could not exceed 15 pages, so that meant: chop, chop, rewrite, and chop.
9. Apart from writing, what else are you passionate about?
My wife and kids. Serving on the City Council in my town of La Mesa, California.
10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?
The opportunity for a performance reading is priceless. The initial feedback was helpful and we made many of the suggested changes.
11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?
I have tried all the major platforms and Film Freeway is the best.
12. Any advice or tips you’d like to pass on to other writers?
If you can complete a screenplay, you have done something others only dream about. If your art is never read, or never produced, you still have made art.
Producer: Matthew Toffolo http://www.matthewtoffolo.com
Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: Kimberly Villarruel
Camera Op: Mary Cox