Winning COMEDY Short Screenplay – TWITS, by Alison McGrath,

 

Genre: Comedy

How one community deals with life when technology goes dark for a brief moment in time.

CAST LIST:

Narrator: Val Cole
Paul: Nick Wicht
Demi: Carina Cojeen
Emergency Alert: Peter Nelson
Barista: Shania Belton
Cheryl: Katelyn Varadi

 Get to know the writer:

What is your screenplay about?

TWITS is a satirical look at humanity’s addiction to technology, and what happens to people when their (de)vices are taken away from them.

What genres does your screenplay fall under?

Comedy, Satire

Why should this screenplay be made into a movie?

I think in this “game of life” we need to laugh at ourselves a little bit, and take a look in the mirror to see the real person–the one without the snapchat or iPhone filter–staring back at us. Films help us do this. TWITS in particular sheds light on our addiction to technology and how it’s shaping everything from our sex lives and our relationships with our kids, to how we navigate–literally–through life. To me, TWITS lends itself to some personal exploration: Do I see a little bit of myself in these characters? How do I feel about that? Am I OK with the real-life role I’m playing and where we’re headed as a society? There is no wrong answer, as long as you think about it and be honest with yourself. That’s what’s so magical about film, and comedy in particular. There is no pressure, and you’re supposed to laugh. Humor is a great way to half-ass explore your emotions without feeling too much! I think many people will be able to identify with TWITS and I really hope it gets made into a movie.

How would you describe this script in two words?

Scary. Outrageous.

What movie have you seen the most times in your life?

Bridesmaids

How long have you been working on this screenplay?

A few months

How many stories have you written?

Ten. Eleven if you count the one I wrote when I was 9 years old about a rotten banana named Eachanonie who was finally happy once he was made into banana bread. Even bruised bananas can find their place in this world.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

Jump in the Line, Harry Belafonte. Every time hear it, I become Winona Ryder in Beetlejuice.

What obstacles did you face to finish this screenplay?

I didn’t face obstacles with this one, which is a crazy thing for me to say. I’m usually stumbling, breathless, army crawling to the finish line. TWITS had been swirling in my head for quite some time. I’d been taking notes for a couple months and then when I sat down, it just flowed. It was really fun to write.

Apart from writing, what else are you passionate about?

I love being a mom. I love to boogie board, ski, and travel. I am especially passionate about jalapeño margaritas. No salt. I feel like this should be on Tinder. Please swipe right.

You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

It’s been amazing. I love how organized and easy it is.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I feel so passionate about TWITS coming to life on screen, and the thought of having it read at your festival seemed like an awesome next step. I can’t wait to hear it!

The feedback I received was encouraging, very helpful and respectful. Being kind goes a long way, and I thank you so much for that!

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

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COMEDY SHORT SCREENPLAY – MODERN LOVE by Hannah Dillon

Watch the January 2017 Winning Comedy Short Screenplay Reading.

Best Scene from the screenplay MODERN LOVE Screenplay
Written by Hannah Dillon

CAST LIST:

NARRATOR – Charles Gordon
BONNIE – Shannon McNally
GRANDMA – Val Cole
SANDRA – Catherine D’Angelo
JOEL – Nick Wicht
BILL – David Straus
NOAH – Gabriel Darku

SYNOPSIS:

Genre: Sci-Fi, Comedy, Romance, Family

In 2065, Sandra brings her Artificially Intelligent boyfriend home to meet her grandmother, who struggles to accept him.


Get to know the winning writer:

What is your screenplay about?

When Sandra brings her Artificially Intelligent boyfriend home for dinner, her family struggles to accept him. In addition to the nerves that come with meeting a significant other’s family, this boyfriend has to overcome a deep-rooted prejudice against robots. Great. Let’s see how Sandra’s overbearing, Jewish grandmother reacts.

What genres does your screenplay under?

Sci-Fi, Comedy, Family

Why should this screenplay be made into a movie?

This story exposes an important social issue in an engaging, digestible way. It’s really about the struggles of any “unconventional” couple (LGBTQ, interracial, etc.), and the cyclical nature of social progress from generation to generation. Anyone who has ever been rejected by his or her significant other’s family will relate to this story. More importantly, people who feel you should only date “your own,” may even be able to take a step back and question that impulse. I believe this story could have a great impact if made into a film.

How would you describe this script in two words?

Provocative and silly.

What movie have you seen the most times in your life?

When Harry Met Sally.

How long have you been working on this screenplay?

I worked on various iterations of this story for about eight months. I am currently working on a pilot inspired by the two main characters and their relationship.

How many stories have you written?

I have written three feature screenplays, many more short screenplays, short stories, poems, and songs. I am constantly writing.

What motivated you to write this screenplay?

Years ago, a family member of mine did not approve of my former partner, and it stuck with me. I was very close with that family member, and was not expecting his negative reaction. Others told me to “let it go,” because he was old, and from “a different time.” I tried to imagine: If I was very old, and my granddaughter brought home a lover, is there any kind of person I would find unsuitable? Any kind of religion? Race? Sexual identity? As I wracked my brain, the only thing I could think was, “as long as it’s human.” That’s when it clicked: if my hypothetical granddaughter were to bring home a robot, I would, in fact, question that love, and my hate would sound all too familiar. It also sounded ridiculous when aimed at a robot. I thought, what a perfectly absurd metaphor to use to expose the idiocy of real prejudice. At the end of the day, it’s just fear of the unfamiliar.

What obstacles did you face to finish this screenplay?

There are a lot of big themes at play here, and a lot of different ways to tell this story. I had to explore several avenues before I found the one that felt right.

Apart from writing, what else are you passionate about?

I love music (which I also write) and comedy, and care deeply about social justice.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I saw a few videos of previous readings, and I loved the idea. The initial feedback was very helpful.

Any advice or tips you’d like to pass on to other writers?

My only advice is to write what’s in your gut. It’s the only thing worth reading, and the only voice nobody else has. Plus, it’s in your gut—don’t let that fester.

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Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com
Casting Director: Sean Ballantyne
Editor: John Johnson

TV CONTESTSUBMIT your Best Scene Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
Screenplay CONTESTSUBMIT your Best Scene Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
Screenplay CONTESTFIRST SCENE (first 10pgs) Screenplay CONTEST
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2016 SHORT Screenplay Winners

Submit your Comedy Screenplay or Film to the Festival Today: http://festivalforcomedy.com

See the Short Screenplay Comedy Stories. Click the link and watch the winning videos:

ACTORSHORT Screenplay – BARGAIN
December 2016 Reading

ACTORSHORT Screenplay – LAST RITES
December 2016 Reading
Written by Martin Keady

ACTORSHORT Screenplay – BUREAUCRACY
December 2016 Reading
Written by Sharmini Kumar
ACTORSHORT Screenplay – JANE’S INNER VOICE
December 2016 Reading
Written by Ian Wilson

ACTORSHORT Screenplay – MISCHIEF AND THE MYSTIC
December 2016 Reading
Written by Michael Gavino
ACTORSHORT Screenplay – THE PINCH
December 2016 Reading
Written by Claire Brown

ACTORSHORT Screenplay – THE LAW OF PUNCTUALITY
December 2016 Reading
Written by Joy Lin
ACTORSHORT Screenplay – DELI DILEMMA
December 2016 Reading
Written by Jim Norman

ACTORSHORT Screenplay – THE PINE CONE
December 2016 Reading
Written by Dimitri Devyatkin
ACTORSHORT Screenplay – A DAY AT THE BEACH
December 2016 Reading
Written by Todd Gordon

ACTORSHORT Screenplay (Under 5pg.) – THE LAST ANNIVERSARY DINNER
November 2016 Reading
Written by Patrick Coleman Duncan
ACTORSHORT Screenplay (Under 5pg.) – COMMENCEMENT
November 2016 Reading
Written by Dan Borengasser

ACTORSHORT Screenplay (Under 5pg.) – EMPATHY IN THE ELEVATOR
November 2016 Reading
Written by Keith Makenas
ACTORSHORT Screenplay (Under 5pg.) – FORGIVENESS
November 2016 Reading
Written by Sherwin Allen

ACTORSHORT Screenplay (Under 5pg.) – EXORCISE
November 2016 Reading
Written by Matt Holland
ACTORSHORT Screenplay (Under 5pg.) – CASABLANCA SLING
November 2016 Reading

ACTORSHORT Screenplay (Under 5pg.) – BASTURD
November 2016 Reading
Written by Michael Egan
ACTORSHORT Screenplay – WHAT’S IN A NAME
October 2016 Reading
Written by Ted Stanley

ACTORSHORT Screenplay – THE STRUGGLE
October 2016 Reading
Written by Janice Kennedy

ACTORSHORT Screenplay – SYMPATHY
October 2016 Reading
Written by Steven Sinnenberg

ACTORSHORT Screenplay – I NEVER KNOCK
October 2016 Reading
Written by John Ervin

ACTORLONG SHORT Screenplay – THE MIGHTY BIRD
October 2016 Reading
Written by Brian Gililland

ACTORSHORT Screenplay – PLEASE HOLD
September 2016 Reading
Written by Tricia Stewart Shiu

ACTORSHORT Screenplay – JULIE & ROM
September 2016 Reading
Written by Behzad Sedghi

ACTORSHORT Screenplay – GLORIOUS
September 2016 Reading
Written by Brent Beath

ACTORSHORT Screenplay – FREEDOM
September 2016 Reading
Written by Scot Walker

ACTORSHORT Screenplay – SAMMY’S PARROT
September 2016 Reading
Written by Dimitri Devyatkin

ACTORSHORT Screenplay – BLAME GAME
September 2016 Reading
Written by Sonny Dyon

ACTORSHORT Screenplay – PARTNERS
September 2016 Reading
Written by Rupert Aspden

ACTORSHORT Screenplay – SAFE WORD
September 2016 Reading
Written by Darren Coyle

ACTORSHORT Screenplay – RED DOT
August 2016 Reading
Written by Mark Richards

ACTORSHORT Screenplay – DRAC’S CAFE
August 2016 Reading
Written by Scot Walker

ACTORSHORT Screenplay – FIRE!
July 2016 Reading
Written by Steve Biggs

ACTORSHORT Screenplay – THE FACTS OF LIFE
July 2016 Reading
Written by Chris Beadnell

ACTORSHORT Screenplay – TREED
July 2016 Reading
Written by Sally Spitzli

ACTORMOCKUMENTARY Screenplay – BOWLING FOR CONCUBINES
July 2016 Reading
Written by Vanessa Marlowe

ACTORShort Screenplay – OZARK
June 2016 Reading
Written by Craig Mrock

ACTORShort Screenplay – CUTTING REMARKS
May 2016 Reading
Written by Erin Richardson

ACTORShort Screenplay – GARY’S GIRLS
April 2016 Reading
Written by Mckenzie Trent

ACTORBest Scene Screenplay – THE HOOPLA
March 2016 Reading
Written by Thomas Nesti

ACTORShort Screenplay – LOVES LABORS LOST
February 2016 Reading
Written by Stanley

 

 

 

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Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com
Casting Director: Sean Ballantyne
Editor: John Johnson

Winning COMEDY Short Screenplay – THE MIGHTY BIRD by Brian Gililland

Watch the Winning Comedy Short Screenplay for October 18th

THE MIGHTY BIRD
Written by Brian Gililland and Lance Larson

SYNOPSIS:

Genre: Comedy

An average joe discovers one day that he yields a surprising super-power in his middle fingers.

CAST LIST:

MIGHTY BIRD – Gabriel Darku
FABULOUS FINGERLING – Rikki Wright
OLD LADY – Julie C. Sheppard
NARRATOR – Michelle Alexander

Get to know the winning writer:

What is your screenplay about?

An ordinary man one day realizes that he has the power to make people explode when he gives them the middle finger. With great power comes great responsibility, until he meets a man with an equally powerful middle finger.

What genres does your screenplay under?

comedy/sci-fi

Why should this screenplay be made into a movie?

It plays on the superhero film craze, then turns it on its head.

How would you describe this script in two words?

Mmmm. Bop.

What movie have you seen the most times in your life?

Dumb and dumber, Jurassic Park, and Star Wars.

How long have you been working on this screenplay?

This screenplay was written during my time working as a sound mixer on the latest Children of the Corn film. In between setups I would come to other crew members and as suggestions similar to an improv show setup. It took me the duration of filming to finish the screenplay.

How many stories have you written?

I have been writing short films for over 15 years. In that time I have reached final draft over 30 times.

What motivated you to write this screenplay?

The shoot for children of the corn was very heavy, and this script was an attempt to boost morale. It worked.

What obstacles did you face to finish this screenplay?

Honestly, the only obstacle was convincing the children of the corn producer to read the script. He eventually did. And apparently he laughed his ass off.

Apart from writing, what else are you passionate about?

I love doing standup comedy in my free time.

Any advice or tips you’d like to pass on to other writers?

Don’t overanalyze your work. Finish a script and submit it. Then keep writing.

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Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Casting Director: Sean Ballantyne

Editor: John Johnson

September 2016 Comedy Films/Screenplays/Stories

Submit your Comedy Screenplay or Film to the Festival Today:http://festivalforcomedy.com

See the September 2016 Comedy Stories. Click the link and watch the winning videos:


festival posterBACK TO THE FUTURE?, 10min., USA, Comedy/Sci-Fi
WATCH Audience FEEDBACK

September 2016 Film Festival


festival posterUNPRINCIPLED, 13min., USA, Comedy/Drama
WATCH Audience FEEDBACK

September 2016 Film Festival


festival posterWE’LL SEE IF WE DROWN, 20min., France, Comedy/Crime
WATCH Audience FEEDBACK

September 2016 Film Festival

ACTORSHORT Screenplay – SAFE WORD
September 2016 Reading
Written by Darren Coyle

ACTORFEATURE Screenplay: LAWN BOYS
September 2016 Reading
Written by Steve Cleary

ACTORTV SPEC Screenplay: MODERN FAMILY
September 2016 Reading
Written by Chai Karve

ACTORSHORT Screenplay – BLAME GAME
September 2016 Reading
Written by Sonny Dyon

ACTORSHORT Screenplay – PARTNERS
September 2016 Reading
Written by Rupert Aspden

ACTORWEBSERIES Screenplay: TREVOR AND EVOR
September 2016 Reading
Written by Sasha Siljanovic

ACTORSHORT Screenplay – SAMMY’S PARROT
September 2016 Reading
Written by Dimitri Devyatkin

ACTORBEST SCENE Screenplay – 3 FAMILIES
September 2016 Reading
Written by J.D. Poland

ACTORSHORT Screenplay – FREEDOM
September 2016 Reading
Written by Scot Walker

ACTORSHORT Screenplay – PLEASE HOLD
September 2016 Reading
Written by Tricia Stewart Shiu

ACTORSHORT Screenplay – JULIE & ROM
September 2016 Reading
Written by Behzad Sedghi

ACTORBEST SCENE Screenplay: LOONATOONA
September 2016 Reading
Written by Shockadelic

ACTORSHORT Story – DUALITY
September 2016 Reading
Written by Devin Klos

ACTORSHORT Story – 1ST WORLD PROBLEMS
September 2016 Reading
Written by Mathieu Riva

ACTORSHORT Story – DOUBLE FACE
September 2016 Reading
Written by Amira El Dahshoury

ACTORSHORT Screenplay – GLORIOUS
September 2016 Reading
Written by Brent Beath

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Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com
Casting Director: Sean Ballantyne
Editor: John Johnson

Watch Winning Comedy Short Screenplay: BOWLING FOR CONCUBINES by Vanessa Marlowe

BOWLING FOR CONCUBINES
Written by Vanessa Marlowe
Read 10 Questions with the writer

SYNOPSIS:

Genre: Mockumentary, Comedy

Investigative reporters, Jean Burbank and Robert Ibsen, explore the highly controversial game of Bowling for Concubines in this satirical mockumentary. Involving bowling balls and actual human concubines as pins, B.F.C. forces a nation to question its own morals. Should fun come at any cost? Some say yes. These questions and more will be answered via variously dubious testimonies.

CAST LIST:

NARRATOR – Val Cole
MAN – Michael Gaty
NATASHA – Kiran Friesen
BORIS – David Occhipinti
MISS WINDIG – Judy Thrush
TALL LANKY GUY – Dan Cristofori
CLERK – Mark Boutros
KOYLA – Sean Ballantyne
CAROL – Viktoria Napolenova

 

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Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com
Casting Director: Sean Ballantyne
Editor: John Johnson

TV CONTESTSUBMIT your Short Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
SCREENPLAY CONTESTSUBMIT your Short Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
SCREENPLAY CONTESTFIRST SCENE (first 10pgs) SCREENPLAY CONTEST
Submit the first stages of your film and get full feedback!

Short Screenplay – Bowling for Concubines by Vanessa Marlowe

Watch the July 2016 Comedy Short Screenplay Winner.

Bowling for Concubines by Vanessa Marlowe

SYNOPSIS:

Genre: Mockumentary, Comedy

Investigative reporters, Jean Burbank and Robert Ibsen, explore the highly controversial game of Bowling for Concubines in this satirical mockumentary. Involving bowling balls and actual human concubines as pins, B.F.C. forces a nation to question its own morals. Should fun come at any cost? Some say yes. These questions and more will be answered via variously dubious testimonies.

CAST LIST:

NARRATOR – Val Cole
MAN – Michael Gaty
NATASHA – Kiran Friesen
BORIS – David Occhipinti
MISS WINDIG – Judy Thrush
TALL LANKY GUY – Dan Cristofori
CLERK – Mark Boutros
KOYLA – Sean Ballantyne
CAROL – Viktoria Napolenova

Get to know the winning writer:

1. What is your screenplay about?

It’s about people’s fascination with violence and sex – somethings some of us can’t get enough of – expressed in the form of a violent game that releases humanity’s own repressed and erratic nature by breaking all the rules.

2. Why should this screenplay be made into a movie?

“Bowling for Concubines” would make a very compelling film because the issues addressed – violence, sex, religion and our very own moral values – are forever relevant. Also, the story expressed as a satire helps us to not only evaluate the absurdity of our own warped behavior, but hopefully, laugh at it as well.

3. How would you describe this script in two words?

Sexual Revolution!!

4. What movie have you seen the most times in your life?

It’s a tie between Back To The Future and Wizard of Oz.

5. How long have you been working on this screenplay?

I worked on it for six months.

6. How many stories have you written?

Many short stories…one feature screenplay and 3 features in-process, two unpublished novels that I’m adapting into additional screenplays… A handful of short films, and a few sketches as well. The hope is the writer finishes his/her projects and doesn’t let them all collect dust! 😛

7. What motivated you to write this screenplay?

The film “Bowling for Columbine” had such a unique title when I first heard it that I immediately went to “Bowling for Concubines” (As the comedic mind corrupts all.) which I thought was a strange notion, then feeling passionately about the topic of sex trafficking, women’s rights, violence and sexual abuse, decided to tie it in there somehow.

8. What obstacles did you face to finish this screenplay?

Just trying to end it. A strong ending is very challenging for me.

9. Apart from writing, what else are you passionate about?

Creatively speaking…acting. Comedy. Dancing. Filmmaking. Art. Interior Design. Colors. Textures…Personally…Exercise. Nature. Meditation. Nutrition. Love. Globally…Women and children’s rights. Water access, health care access, education. Treating the earth with respect and helping to heal it and ourselves in the process. World peace.

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Just trying to get my work out there. I think the concern is always wanting it to be polished as possible but sometimes you just gotta put it out there and hope for the best. I will always continue to work on my material as best I can in the time that I can focus on it. The feedback was helpful, constructive. I always feel like everyone has a different perception of what can be interpreted as offensive. Writing comedy you’re going to offend people at some point but comedy doesn’t apologize, so neither can I. You can’t make everyone happy, but you can try to convey a solid message and make some people laugh, and maybe give them food for thought as they get into bed at night or as they criticize some aspect in irritation. I’d rather my work made people angry than inspired them to just go home and eat potato chips and completely forget about what they just saw or read. I mean if I’m not moving someone to feeling something, than I’m not doing my job.

11. Any advice or tips you’d like to pass on to other writers?

Get yourself into a quiet, peaceful place of rigid discipline and routine when it comes to writing. If your mind isn’t at peace, than it’s hard to concentrate. Finding the discipline I think to do it is easier than being able to concentrate if, as most writers and artists at some point have experienced, times are tough and you’re struggling financially or whatever. But, as Charles Dickens wrote, “It was the best of the times, it was the worst of times…” Through it all, the truly dedicated, determined prevail in completing their work and seeing it through. If you want to start a revolution, it starts with that first word on that magical paper.

Find what inspires you and light that fire I say! 🙂

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Director/Producer: Matthew Toffolo
Casting Director: Sean Ballantyne
Editor: John Johnson