September 2017 COMEDY Stories, Screenplays, Short Films

Submit your Comedy Screenplay or Film to the Festival Today: http://festivalforcomedy.com

 

ACTORTV THRILLER Best Scene Screenplay – JOYTON SHREW
September 2017 Reading
by Ian Bradburn

ACTORSHORT Screenplay – BREAKDOWN
September 2017 Reading
by J. Logan Alexander

ACTOR1pg. COMEDY Short Screenplay – CLEAN BEAT
September 2017 Reading
by Bernhard Riedhammer

ACTORCOMEDY Short Screenplay – TWITS
September 2017 Reading
by Alison McGrath

festival posterINGENUE-ISH, 10min, USA, Comedy
WATCH Audience FEEDBACK
festival posterSUITCASE, 13min, France, Comedy
WATCH Audience FEEDBACK

festival posterBAGGAGE, 17min, USA, Comedy
WATCH Audience FEEDBACK
festival posterUNICORNLAND, 7min, USA, Comedy/Webseries
WATCH Audience

festival posterMANEKI-NEKO, 12min, USA, Romance/Comedy
WATCH Audience FEEDBACK
festival posterLAST NIGHT WAS A MISTAKE, 15min, USA, Romance/Comedy
WATCH Audience FEEDBACK

festival posterONE PER PERSON, 10min., Canada, Animation/Comedy
WATCH Audience FEEDBACK
festival posterOUR CRAPPY TOWN, 8min, USA, Animation/Comedy
WATCH Audience FEEDBACK

ACTORSTAGE PLAY BEST SCENE – VENGEANCE OF THE SHREW
September 2017 Reading
by Bree Katz

 

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

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Winning COMEDY Short Screenplay – TWITS, by Alison McGrath,

 

Genre: Comedy

How one community deals with life when technology goes dark for a brief moment in time.

CAST LIST:

Narrator: Val Cole
Paul: Nick Wicht
Demi: Carina Cojeen
Emergency Alert: Peter Nelson
Barista: Shania Belton
Cheryl: Katelyn Varadi

 Get to know the writer:

What is your screenplay about?

TWITS is a satirical look at humanity’s addiction to technology, and what happens to people when their (de)vices are taken away from them.

What genres does your screenplay fall under?

Comedy, Satire

Why should this screenplay be made into a movie?

I think in this “game of life” we need to laugh at ourselves a little bit, and take a look in the mirror to see the real person–the one without the snapchat or iPhone filter–staring back at us. Films help us do this. TWITS in particular sheds light on our addiction to technology and how it’s shaping everything from our sex lives and our relationships with our kids, to how we navigate–literally–through life. To me, TWITS lends itself to some personal exploration: Do I see a little bit of myself in these characters? How do I feel about that? Am I OK with the real-life role I’m playing and where we’re headed as a society? There is no wrong answer, as long as you think about it and be honest with yourself. That’s what’s so magical about film, and comedy in particular. There is no pressure, and you’re supposed to laugh. Humor is a great way to half-ass explore your emotions without feeling too much! I think many people will be able to identify with TWITS and I really hope it gets made into a movie.

How would you describe this script in two words?

Scary. Outrageous.

What movie have you seen the most times in your life?

Bridesmaids

How long have you been working on this screenplay?

A few months

How many stories have you written?

Ten. Eleven if you count the one I wrote when I was 9 years old about a rotten banana named Eachanonie who was finally happy once he was made into banana bread. Even bruised bananas can find their place in this world.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

Jump in the Line, Harry Belafonte. Every time hear it, I become Winona Ryder in Beetlejuice.

What obstacles did you face to finish this screenplay?

I didn’t face obstacles with this one, which is a crazy thing for me to say. I’m usually stumbling, breathless, army crawling to the finish line. TWITS had been swirling in my head for quite some time. I’d been taking notes for a couple months and then when I sat down, it just flowed. It was really fun to write.

Apart from writing, what else are you passionate about?

I love being a mom. I love to boogie board, ski, and travel. I am especially passionate about jalapeño margaritas. No salt. I feel like this should be on Tinder. Please swipe right.

You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

It’s been amazing. I love how organized and easy it is.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I feel so passionate about TWITS coming to life on screen, and the thought of having it read at your festival seemed like an awesome next step. I can’t wait to hear it!

The feedback I received was encouraging, very helpful and respectful. Being kind goes a long way, and I thank you so much for that!

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

1pg. COMEDY Short Screenplay – CLEAN BEAT, by Bernhard Riedhammer

 

Genre: Comedy

A 1pg. comedy story.

CAST LIST:

Narrator: Val Cole
Mike: Mike Ruderman

Get to know the writer:

What is your screenplay about?

It’s about a bored man dancing to a cool music beat, receiving a surprise visit.

What genres does your screenplay fall under?

Comedy

Why should this screenplay be made into a movie?

It’s an inspirational story of how music can lift one’s spirit, while doing a menial job.

How would you describe this script in two words?

Funny & Uplifting

What movie have you seen the most times in your life?

Eternal Sunshine of the Spotless Mind

How long have you been working on this screenplay?

5 days

How many stories have you written?

About 25

What is your favorite song? (Or, what song have you listened to the most times in your life?)

Sweet Child O’ Mine – Guns n’ Roses. It just rocks!

What obstacles did you face to finish this screenplay?

None.

Apart from writing, what else are you passionate about?

Neuroscience. I like to know how the human brain and mind works.

You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

It’s an amazing thing.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

The festival has a great reputation, and the feedback was spot on.

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

HIGHLIGHTS & VIDEOS: September 2017 Comedy Short Film Festival

AUDIENCE FESTIVAL AWARDS

Best Film: UNICORNLAND

Best Performances: SUITCASE

Best Cinematography: INGENUE-ISH

Best Music: BAGGAGE

WATCH AUDIENCE FEEDBACK VIDEOS: 

INGENUE-ISH, 10min, USA, Comedy
WATCH Audience FEEDBACK
festival posterSUITCASE, 13min, France, Comedy
WATCH Audience FEEDBACK
MANEKI-NEKO, 12min, USA, Romance/Comedy
WATCH Audience FEEDBACK
festival posterLAST NIGHT WAS A MISTAKE, 15min, USA, Romance/Comedy
WATCH Audience FEEDBACK
festival posterBAGGAGE, 17min, USA, Comedy
WATCH Audience FEEDBACK
festival posterUNICORNLAND, 7min, USA, Comedy/Webseries
WATCH Audience 

The COMEDY LOS ANGELES SEPTEMBER 2017 FEEDBACK Film Festival gave our audiences the best of comedic short movies from around the world.

The theme of the festival was “RESET”.

Every film showcased was about a situation that was about a character(s) needing to start over again.

The first half of the SEPTEMBER 2017 FEEDBACK Los Angeles Film Festival featured a showcase of the best COMEDY short films from around the world.

The crowd was very active for our 4th venture to Los Angeles in the FEEDBACK Film Festival format. The crowd of 182 people (and 1 dog) sure seemed to like the films too. It’s a great feeling when you see such a positive and insightful moderation that occurred when we discussed this COMEDY lineup of films.

We attempted to give the audience eight different types of romance and comedy shorts from all around the world. The topic of GENDER came up repeatedly during the discussions as these films all gave us a film that was simply about people attempting to connect with others – no matter what sex, age, race, or in the case of one film – cats, they were. It was refreshing to see such a diverse audience all connecting on the same films.

See you at the festivals.

– Matthew Toffolo

UNICORNLAND Short Film – Audience FEEDBACK: Comedy Fest in Los Angeles

UNICORNLAND, 7min, USA, Comedy/Webseries
Directed by Nick Leavens

After her divorce, Annie dates couples to explore her sexuality.

CLICK HERE – and see full info and more pics of the film!

INGENUE-ISH Short Film – Audience FEEDBACK: Comedy Fest in Los Angeles

INGENUE-ISH, 10min, USA, Comedy
Directed by John Stamos

A kind of young, sort of ethnic, LA actress takes us through her daily struggle to make it in show-biz without knowing someone, having a famous last name, or sleeping her way to the top. (One of these is false)

CLICK HERE – and see full info and more pics of the film!

August 2017 COMEDY Stories, Screenplays, Short Films

Submit your Comedy Screenplay or Film to the Festival Today: http://festivalforcomedy.com

 

ACTORNOVEL Transcript – ZAPINETTE GOES TO THE NORTH POLE
August 2017 Reading
by Albert Russo
ACTORCOMEDY SHORT Screenplay – EVERYONE HAS THEIR DEMONS
August 2017 Reading
by Dustin Prince
ACTORUnder 5min. SHORT Screenplay – KEEP SMILING
August 2017 Reading
by Courtney Wallace
ACTOR1PG. SHORT Screenplay – DAB A DUCK TAPE
August 2017 Reading
by Stephanie Annis
ACTORTV SPEC Screenplay – RICK & MORTY
August 2017 Reading
by Daniel Richardson

festival posterTHE SESSION, 7min, USA, Comedy
WATCH Audience FEEDBACK


festival posterMAGIC RADIO, 9min, USA, Family/Comedy
WATCH Audience FEEDBACK

 

****

Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox