TV SCRIPT MOVIE of Bojack Horseman, by Kayla Kristofco

CAST LIST:

Narrator – Val Cole
Princess Carolyn – Esther Teeboo
Bojack – Steve Rizzo
Stefani/Diane – Lindy Thurrell
Carol the Pigeon – Danielle Nicole
Mr. Peanutbutter – Geoff Mays
Todd – Manny Pacheco

Produced by Matthew Toffolo

Editor & Visual Design by Kimberly Villarruel

Comedy Festival – Today’s Testimonial

Eileen Wilson
Eileen Wilson

Thanks for filming ‘Second Class’ for me! Really appreciate it. Great to have a table read of my comedy.

5 Star Review

A post-mistress berates a customer over a class issue to her detriment.

CAST LIST:

Narrator: Elizabeth Morriss
Dave: Justin Martins
Post Mistress: Jessica Bowmer

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Producer/Director: Matthew Toffolo http://www.matthewtoffolo.com

Festival Moderators: Kierston Drier, Shepsut Wilson
Casting Director: Sean Ballantyne
Editors: Kimberly Villarruel, Kyle Drier, John Johnson

Festival Directors: Mary Cox, Rachel Elder, Natasha Levy

Camera Operators: Hugh Fraser, Andy Camp, Aser Santos Jr., Zack Arch

1st SCENE COMEDY Reading: HAPPY FUN TIMES, by Nathan Zoebl

When a young man learns of a theme park’s policy to give out large cash settlements to guests who lose a family member whilst at the park, he conspires to take his ailing grandmother on one last ride.

CAST LIST:

Kevin: Ted Powers
Narrator: Val Cole
Liv: Veronika Gribanova
Colin: Wilfred Lee

Producer/Director: Matthew Toffolo http://www.matthewtoffolo.com

Festival Moderators: Matthew Toffolo, Rachel Elder

Casting Director: Sean Ballantyne

Editors: Kimberly Villarruel, Ryan Haines, John Johnson

Festival Directors: Rachel Elder, Natasha Levy

Camera Operators: Ryan Haines, Temitope Akinterinwa, Efren Zapata, Zack Arch

Winning COMEDY TV PILOT Screenplay: Out of Order, by Zach Gladstone

 

A single camera sitcom about working in fast food.

CAST LIST:

Cole: Trevor Howes
Lyle: Wilfred Lee
Donny: Ted Powers
Narrator: Val Cole
Hazel: Veronika Gribanova
Velma: Olivia Barrett
Anjum: Mercedez De Castro

Producer/Director: Matthew Toffolo http://www.matthewtoffolo.com

Festival Moderators: Matthew Toffolo, Rachel Elder

Casting Director: Sean Ballantyne

Editors: Kimberly Villarruel, Ryan Haines, John Johnson

Festival Directors: Rachel Elder, Natasha Levy

Camera Operators: Ryan Haines, Temitope Akinterinwa, Efren Zapata, Zack Arch

Director Biography – Jill D’Agnenica (A DOG’S STORY)

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Jill D’Agnenica is an award winning filmmaker and visual artist working in Los Angeles as a director and editor. She’s had the pleasure of editing drama series including How to Get Away With Murder (ABC), Lucifer (Fox), Pretty Little Liars (Freeform), Stitchers (Freeform), Switched at Birth (Freeform), Undercovers (NBC), Hollywood Heights (Nickelodeon), Dirt (FX), and The Division (Lifetime). Jill made her television directorial debut on Freeform’s Switched at Birth in 2017.

The Los Angeles Times called Life Inside Out (Jill’s first feature film) “a gentle, poignant drama whose heart and head are squarely in the right place” with “tender direction by Jill D’Agnenica.” Life Inside Out premiered at the 2013 Heartland Film Festival where it won both the Crystal Heart Award for Narrative Feature and Best Premiere. It went on to be screened at 21 festivals, receiving 16 awards, including 5 Best Feature and 4 Audience Awards. After a limited theatrical run, it now streams on AmazonPrime.

Jill holds a BA in history from UCLA and an MFA in Visual Art from Claremont Graduate University. She is a member Film Independent, Film Fatales, the Motion Picture Editors Guild and the Directors Guild of America.

With her myriad of experiences as a director, editor, and producer on music videos, PSAs, indie shorts and features, Jill enjoys opportunities to contribute as a guest lecturer, panelist, and mentor to fellow filmmakers and artists.

Director Statement

“A Dog’s Story” had its genesis with a series of humorous sculptures that my friend and frequent collaborator, artist Margaret Adachi, did of unhappy and angry pooches in dead end jobs. Like all of her various animal sculptures, they were anthropomorphized stand-ins for Margaret, this time aged out of work life and feeling irrelevant.

I call her “Margaret Adachi: Genius” because she is so, so quirky and funny and smart. I asked Margaret to write a back story for one of her sculptures which became the narrative for “A Dog’s Story” and together with our friend and collaborator, cinematographer Guido Frenzel, we hatched a plan for how we wanted to portray that story in film, landing on the character of The Dog giving a slide lecture, like a Ted Talk.

Guido wanted to shoot the entire movie with a 50mm lens “like Ozu” and the one-walled set I built in my studio had just enough room for him to get the wide shot we wanted.

We had a blast, setting up and shooting in one long night, laughing and chatting through each of the shots, since I decided to record all the sound in post.

I knew hitting the right tone with music would be absolutely essential to the telling of the story and also no small feat. To our absolute great good fortune, musician Goh Nakamura agreed to compose the score for the movie and it is perfection.

I am delighted that my friends and I got to play together to create “A Dog’s Story.”

Short Film: A DOG’S STORY, 7min., USA, Comedy

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“A Dog’s Story” is an absurdist short that tells the tragi-comic tale of an old dog who contemplates his bleak future after being laid off from his security job. The Dog has made a slide presentation of his current predicament and how he got here — an all-too-frequent story that many of us have also experienced in this new competitive economy where jobs are being replaced by automation and being too old can leave you marginalized.

Project Links

Director Biography – Eric Dyson (APPY DAYS)

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A native Angeleno, Eric Dyson has been immersed in film & television his entire life. While studying at Brooks Institute of Photography, Eric spent a lot of hours working in the world of musical theater. After graduation, his first job was with Steven Spielberg’s Amblin Entertainment. “One of my most memorable experiences was running a video camera while Steven used toy dinosaurs to map out shots for Jurassic Park. ” Not long after, he became a member of the International Cinematographers Guild, Local 600. As a member of local 600, Eric has over 40,000 hours of on set experience. With credits that include A Wrinkle In Time, Snowfall and Crazy Ex Girlfriend to name a few. During his many years of camera work, Eric has developed a keen eye for what it takes to build a scene with strong visuals; all the while mastering the art of working inter-departmentally to get the day’s work completed.

Eric’s directing credits include short films, music videos, trailers and documentary work.